 |
XJ-S with BX-13 V2 US-20 VG-88 GI-10 and VL-70M |
| A BX-13 V2 converts the XJ-S to 13-pin format, then a US-20 selects from VG-88 and a GI-10 hooked to a Yamaha VL-70M. Direct output with the VG-88 features BX-13 V2 volume swells and hex fuzz. |
 |
XJ-S Pickup Combinations with Roland SIP-300 Preamp |
| In this video the XJ-S runs through a Roland SIP-300 directly to a Yamaha 01V, which adds delay and reverb. The EQ is flat on the SIP-300. |
 |
XJ-S with GR-100 and delay effects. |
| In this video the XJ-S drives a Roland GR-100, with 800 ms delay effects added on the Yamaha 01V mixing console. After clean guitar, mode I and mode II are heard, then chorus is added and filter modulation. |
 |
XJ-S direct to Orange Amplifier |
| In this video the XJ-S drives a "virtual" Orange Amplifier for a more traditional amplifier distortion sound. A wide range of tones are produced using pickup selection, tone and volume controls. |
 |
XJ-S with Korg Z3 |
| Pedulla XJ-S with the Korg Z3. The sounds are classic, vintage early 1990’s FM synth sounds. In MIDI speed tests, the Korg Z3 is just as fast as any of the current pitch-to-MIDI systems available now. |
 |
XJ-S with Ibanez MC1 and Korg TR Rack |
| Quick video of the XJ-S with the Ibanez MC1, highlighting velocity response and touch pads. |
 |
XJ-S Pickup and Hex Fuzz Sound with GR-300 |
| This video again presents the 5 different pickup combinations of the XJ-S, then highlights the hex fuzz circuit in the XJ-S. |
 |
XJ-S with Roland GR-700 and PG-200 |
| This video demonstrates the XJ-S with a Roland GR-700 being programmed with the PG-200. All the editing features of the PG-200 are used in this video. |
 |
XJ-S with Roland SIP-300 Featuring Overdrive |
| This video again the Roland SIP-300. This video highlights the Overdrive and Tone Controls on the SIP-300. |
 |
XJ-S with Roland SIP-300 Featuring Tone Controls |
| This video again the Roland SIP-300. This video highlights the Tone Controls on the SIP-300. |