- Boss SY-1000 Roland showed their continuing committment to guitar synthesizers with the announcement of the new Boss SY-1000.
- Behringer Deep Mind 12 The New Roland GR-700? Vintage Sounds in a Modern Analog Synth
- GR-300 Case Rare spotting of the Original Roland GR-300 Case!
- Roland Ready Les Paul Photos of Bob Welch's Custom Shop Les Paul Paul with Roland electronics.
- Peter Frampton With Roland G-303 Thank you Eric Fisher for finding this rare live video!
- Picture This 30th Anniversary Release - Wayne Scott Jones Album from November 1989.
- Converting the M-16C into an M-64C - Detailed tips on converting the M-16C into a M-64C with four times the memory capacity!
- Roland G-33 Major Update! 18 new photos, PLUS 4 YouTube videos!
- Switch Roland-Ready MIDI Guitar Complete details on the Switch Wild-IV, PLUS all the Switch Guitars!
- Boss GP-10 and Hex Fuzz Details on great hex fuzz sounds from the Boss GP-10
- Steve Hackett - Roland GR-500/GS-500 Performance - Please Don't Touch From the 'Please Don't Touch' tour, November 8, 1978. Great GR-500 showcase!
- Vintage Roland GR-300 Review from Electronics & Music Maker - Nov 1981
- Roland GR-77B for Reaktor - Download a modeled Roland GR-77B for Native Instruments Reaktor 5!
- Roland GR-700 Blue - Remake with 'GR-300' blue finish, new handles, and handsome natural wood end blocks! Thank you Chuck Nin!
- PG-200 - Updated NOS New-Old-Stock photos of the Roland PG-700, programmer for the Roland GR-700. Thank you Eric Rusack!
- G-707 White Ever wonder what a G-707 would look like redone in a brilliant white finish? With Steinberger folding leg rest!
- 3D Printing Vintage Roland Guitar Parts - 24-to-25 pin Plate - Courtesy of Jusin Casey
- David Gilmour - Solo with Roland STK-1 and GR-700!
- Moog Voyager XL (with Casio MG-510 Cameo) Space Music - Melodic Downtempo, Ambient, Ambient& PsyChill Mix.
- Roland GM-70 Guitar-to-MIDI Converter - Review by Paul White, Music Technology Magazine, April 1987
- Theme from M*A*S*H. Arranged using only the ARP Odyssey for all sounds, synths, drums, efx, etc.
- Ibanez IMG2010 - Owned by George Benson. Rare 'Endorsee' finish with Silver hardware.
Features and Specifications:
- Body: Maple/Walnut neck-thru-body construction
- Finish: Satin Amber
- Neck: Fast, ultra-thin profile
- Fingerboard: Ebony Fretboard with Creme Binding
- Frets: 24 Jumbo
- Bridge: Schecter/Gotoh Locking Tremolo System and Tuners
- Tuning machines: Schecter/Gotoh
- Pickups: EMG 81-TW (bridge) SA (neck and middle)
- Scale:25 1/2"
- Truss Rod: Dual, Adjustable
- Neck Width: 1 5/8"
- Weight: 9 lbs 4 oz
The EMG 81TW is a splitable variation the EMG81 pickup that started a revolution. Utilizing powerful ceramic magnets and close aperture coils, the tone was designed with detailed intensity, incredible amounts of high end cut and fluid sustain. This pickup will make your leads slice right through even the densest mix.
The SA pickup combines the attributes of the early Strat sound but with an added midrange response and higher output, giving it "bell-like" ringing harmonics and increased sustain. One single Alnico bar magnet delivers classic overdrive with a smooth midrange distortion, while still retaining the familiar high-end of a single-coil pickup. These characteristics provide greater versatility than what is normally found in single-coil pickups.
In addition to the versatile features and guitar synth friendly construction, the Stiletto Classic is very easy on the eyes with a body using highly figured maple wings. The Stiletto Classic has a powerful and elegant appearance.
The original guitar electronics have been modified using authentic EMG and Roland parts. The original guitar volume and tone controls have been consolidated onto a single concentric controller, using the EMG A25KX2 control pot. In the position of the original guitar volume control is the Roland GK synth volume control. And a spring-loaded toggle switch has been added to send Roland GK S1 and S2 commands. The Stiletto Classic still has the ability to split the output coils on the 81 TW humbucker, but the coil split switch has been stashed underneath the pick guard. The player can choose to install the switch at any time by simply drilling a hole and mounting the switch. The current configuration of controls was selected to keep control panel clutter to a minimum.
Careful observers will notice the GK-3 divided pickup is mounted "backwards." This was to keep the extension arm away from the hand when palm muting. This is, incidentally, the same way Roland mounted the pickup on the rare Roland GC-10 guitar synthesizer controller. Normally, this would require the GK setting to also be reversed. However, when the pickup was installed, the wires from the GK pickup were also reversed, restoring the original polarity of the GK-3 pickup. Also, the GK-3 LED was not installed, and the gtr/gtr+synth/synth switch was not installed. These parts are included if the buyer wants to add them to the guitar.
On the side of the guitar is both the 13-pin and standard guitar output. When the guitar is attached to a powered Roland 13-pin synthesizer, the active EMG electronics get their power from the Roland synthesizer.
When a 1/4” cable is plugged into the guitar, an internal 9 volt battery supplies power to the active EMG pickups.
Warning: do not have a 1/4” cable plugged in and powered Roland synthesizer active at the same time. In this circumstance, the EMG pickups will be receiving power from both the Roland synth and battery at the same time, which can potentially cause damage.
The battery supplies +9 volts of power, but the Roland synth supplies +7 volts of power. As a results, there is a very slight hiss, or loss of headroom when using the Roland synth power. If you want to separate the EMG power supply from the Roland power supply, this is a very simple modification. Just disconnect the (one) red power wire that connects the EMG power supply to the +7 volts on the Roland.
I experimented with this when I was first trying out configurations. In the video clip, at 10 seconds, you hear the EMG pickups as powered by the +7 volts, and they sound very, very clean (this point is at the closeup of my fingers after playing the main theme). I would suggest this: before making the modification, play it yourself and see if you can hear anything that needs changing. For me, I liked the convenience of not having to rely on an internal 9 volt battery.
Review From Ultimate Guitar Forum:
"the schecter stilletto classic is, simply put, the most amazing versatile, and beautiful guitar i have ever had the pleasure of playing. this is the guitar i have been searching for my entire life. i play a 1972 gibson les paul and a frankenstein strat with a 57 body and an 80s maple neck with a roller nut. niether one comes close."
GK PU Type: GK-3
Guitar Scale: ST
GK PU Phase: Normal
GK PU Direction: Normal
S1, S2 POS: Normal
|Pickup - Bridge
1st - 23.0 mm
2nd - 24.0 mm
3rd - 25.0 mm
4th - 23.0 mm
5th - 24.0 mm
6th - 25.0 mm
1st - 56
2nd - 46
3rd - 35
4th - 45
5th - 42
6th - 58