- Roland Ready Les Paul Photos of Bob Welch's Custom Shop Les Paul Paul with Roland electronics.
- Peter Frampton With Roland G-303 Thank you Eric Fisher for finding this rare live video!
- Picture This 30th Anniversary Release - Wayne Scott Jones Album from November 1989.
- Converting the M-16C into an M-64C - Detailed tips on converting the M-16C into a M-64C with four times the memory capacity!
- Roland G-33 Major Update! 18 new photos, PLUS 4 YouTube videos!
- Switch Roland-Ready MIDI Guitar Complete details on the Switch Wild-IV, PLUS all the Switch Guitars!
- Boss GP-10 and Hex Fuzz Details on great hex fuzz sounds from the Boss GP-10
- Steve Hackett - Roland GR-500/GS-500 Performance - Please Don't Touch From the 'Please Don't Touch' tour, November 8, 1978. Great GR-500 showcase!
- Vintage Roland GR-300 Review from Electronics & Music Maker - Nov 1981
- Roland GR-77B for Reaktor - Download a modeled Roland GR-77B for Native Instruments Reaktor 5!
- Roland GR-700 Blue - Remake with 'GR-300' blue finish, new handles, and handsome natural wood end blocks! Thank you Chuck Nin!
- PG-200 - Updated NOS New-Old-Stock photos of the Roland PG-700, programmer for the Roland GR-700. Thank you Eric Rusack!
- G-707 White Ever wonder what a G-707 would look like redone in a brilliant white finish? With Steinberger folding leg rest!
- 3D Printing Vintage Roland Guitar Parts - 24-to-25 pin Plate - Courtesy of Jusin Casey
- David Gilmour - Solo with Roland STK-1 and GR-700!
- Moog Voyager XL (with Casio MG-510 Cameo) Space Music - Melodic Downtempo, Ambient, Ambient& PsyChill Mix.
- Roland GM-70 Guitar-to-MIDI Converter - Review by Paul White, Music Technology Magazine, April 1987
- Theme from M*A*S*H. Arranged using only the ARP Odyssey for all sounds, synths, drums, efx, etc.
- Ibanez IMG2010 - Owned by George Benson. Rare 'Endorsee' finish with Silver hardware.
While the vintage Roland guitar synthesizer controllers have held up really well, the control panel overlays are often missing, tattered or torn. My goal was to come up with a modern replacement for the vintage overlays to give these vintage instruments a factory-fresh look. Over a period of years I was able to scan in most of the control panel overlays for the different model guitars. Once I had the images scanned in, I used Adobe Illustrator and Photoshop to try to reproduce the overlay elements. Below are my notes on the process, plus images and links to pdfs you can download to work on creating your own.
After trying various materials for the overlays, I found the best material to be acetate, which I believe is the same material used to produce the original overlays. It looks like the originals were printed using a silk-screening process, but I had no way to reproduce this. Fortunately, the local "Fast Signs" print shop where I live has an "Edge Printer", which does a thermal transfer from a colored film to the acetate. This worked out really, really well, creating an overlay that looks like the original, with very durable printing. This is the same process I used for making control panels for my various processors. The pdfs that I provided to"Fast Signs" had to be imported and edited, removing my guidelines while keeping the text and critical graphics.
I discovered that by far the toughest part was cutting the holes in the acetate. I tried at least a half dozen approaches. The acetate was too resilient to work with the automated cutting machines at the print shop, designed to work with paper, vinyl, etc. I tried various die-cutting processes, none of which worked well. The acetate tended to bend and deform before cutting. Finally, I just went to cutting the holes out by hand. You can watch the four brief videos below that show me working through the process. I used a razor knife, metal straight edge, and cuticle scissors.
The color selection is pretty simple: for the most part the overlays are made with either white, or black, printing on clear acetate. However, most notably with the Roland G-303, the overlay is printed with yellow. I tried just plain yellow, but the final product looked a little more gold than yellow. I had success by printing the same overlay twice, once with a white base, then printing immediately over the same piece of acetate with the yellow. The white base made for a much stronger yellow color.
Unfortunately, I am not longer making or selling these overlays, but I am providing links to the pdf files I used. I was printing these years ago, so perhaps there is a new process better than the "edge print acetate" process I used.